Wednesday, April 25, 2018

Another Earth Day: Working with Cedar and Pohaku

I've been helping Pete with his latest project -- realigning the entrance to the Tilth. Subtle and substantial changes open up the fences to a future informational kiosk on the right-side, and a farm stand on the left side.

You can't appreciate the work involved unless you do it. Behind the scenes of a project like this I assisted with the things Pete does from the time he gets up off the bed and on his feet.



There were cedar poles to move, old holes to refill, new poles to dig, new holes to refill. The mounds of small rocks unearthed from previous human enterprises are  piled nearby and into the pukas they went to hold the poles in place once they were re-positioned.

The beautiful thing about Cedar is her durability and beauty as she ages. I'm not sure how long the Cedar boards have been in place, but guess they have seen many seasons of rain, wind, sun and fog.

Mindfulness is involved as the posts and cross pieces are laid out for the new fence design. The shape of each face or side of Cedar has character: knot holes, the flow of grain pattern, the way lichen has grown to form their own design. We talk about which face to show and how one board fits best without having to cut to fit. Pete will reuse the Cedar that is left when both sides of the entry are finished.



My job was to gather pohaku, rocks, pour them into the puka, kibits about design, and hold things in place while Pete used the o'o, the saw or the screw gun.

"I couldn't have done it without you," Pete said when we finished last night. He's always generous with his thanks for help with projects. For a guy who has worked on nearly as many jobs as he has years on the planet this time around, he has a real knack for making sure his help feels appreciated. Add to that his talent for teasing and you begin to get a feel for who this guy is.

The other thing one rarely sees, is that Pete wears out. Last night was one was one of those times. Worn and out, he napped. Not a common thing. Then, he slept and slept and slept. At times like that I pick up the slack for the many chores that still need doing. I got to take care of him.

Right-side of entry 
Left-side of entry

Today I helped Pete finish off the left-side with plenty of space for a farm stand and customer parking coming soon. Back inside, I sit to tell the story. Another Earth Day. A mixed bag of work and time doing things together to be here on this Prairie Front. Lucky us!
Filipina-side of Moki

What's your Earth Day been like?

Monday, April 23, 2018

Organizing Chaos


Spider #1

One of my teachers is a great fan of chaos. I listened to her speak about Haumea, our major goddess of potential, and about spiders and their choice of web styles. I listened closely to prepare myself for the Earth Day blessing I'd been asked to do. It's not often I get to share the language and the adaptations of ceremony based on living Hawaiian culture where we are, far from the sands of birth, but not from from the womb. The womb, or the Haumea of my ancestral roots come with me -- in me. Through the innovations of the internet, I can watch and re-watch the application of traditions that can be translated where I am. Here on Whidbey Island in the Salish Sea, I listened to my teacher speak about organization within chaos. Oh how wise our kupuna in their humorous take on being flexible with the creation of the web of potential. 


Waiting to share the blessing and 'oli to create sacred space I sat in one of my favorite positions -- on the steps. These are the steps of the Bayview Community Center, Langley.
The group of people inside and the group outside were moving in chaos, looking for a place on the Peace Symbol chalked on the ground. The annual Peace picture had drawn people to the grassy knoll. The blessing and the 'oli needed to fit between the keynote address and picture-taking. A few tricks were needed to play and move people into the potential for creating sacred space.

I sounded ...
Clap, clap ... clap.
Clap, clap ... clap.
Clap, clap ... clap.

Then chanted ...
E ho mai.
E ho mai.
E ho mai.

Grant to me.
Grant to me.
Grant to me.



 Standing on Peace surprised to see we'd be photographed by a drone.

 The event moved like Haumea, Earth, plotting the potential for the sacred within the everyday.


Our friend, Prescott picture above, asked me to pinch-hit as the blessing person and I was able. Group gatherings are chancy experiments, but well-worth the possibility for being awesome. This one worked out, and I am grateful to keep spinning the web of potential ... from chaos.

Back at home, just this morning, I spotted a sweet sight out the windows of the vardo. Swallows have found a box for a nest. I'd wondered about their choice to stay on the Prairie Front. Last year they did not linger;this year they have made a different choice knowing there's no guarantee.

And then, I kept watching and saw Sparrow fly into the puka, the hole, in the box. No guarantees, or reservations about home ownership. Just a whole lot of faith to keep coming back.
Spider #2

Which of the spiders do you relate to? Are you a fan of chaos?





Saturday, April 21, 2018

Earth Day ... Every Day

"What makes Earth so beautiful?"



The Birds know, and sing their knowing as I stepped onto the vardo porch. Clouds, dark and moving from the North east remind me of their heavenly presence. The unfurling green of Alder changes the view across Thompson Road; the Apple and Crab apple grafted as one show their individual nature, together; Maple blossoms dangle lanterns of potential in today's present; Elder sets her blossoms along with her five-finger leaf fans; traffic on the asphalt adds the presence of technology.







Later today we will join people in our community for an Earth Day Celebration and share ceremony and the following two 'oli.

Remembering to remember, to ask and listen to the answers for how we can contribute to the question, "What makes Earth so beautiful?"





Na 'Aumakua

Na ‘Aumakua or Pule Ho'uluulu
*Adapted from Hawaiian Antiquities by David Malo


Na ‘Aumakua mai ka la hiki a ka la kau!
Mai ka ho’oku’i a ka halawai
Na ‘Aumakua ia Kahinakua, ia Kahina’alo
Ia ka’a ‘akau i ka lani
‘O kiha i ka lani
‘Owe i ka lani
Nunulu i ka lani
Kaholo i ka lani
Eia pulapula a ‘oukou ‘o ka 'ohana Calizar ( insert your family name) 
E malama ‘oukou ia makou
E ulu i ka lani
E ulu i ka honua
*E ulu i ka pae’aina o Hawai’i a me ke'ia moku o Salish
E ho mai i ka ‘ike
E ho mai i ka ikaika
E ho mai i ke akamai
E ho mai i ka maopopo pono
E ho mai i ka ‘ike papalua
E ho mai i ka mana.
‘Amama ua noa.
Ancestors from the rising to the setting sun
From the zenith to the horizon
Ancestors who stand at our back and front
You who stand at our right hand
A breathing in the heavens
An utterance in the heavens
A clear, ringing voice in the heavens
A voice reverberating in the heavens
Here are your descendants, the (name of your family)

Safeguard us
That we may flourish in the heavens
That we may flourish on earth
That we may flourish in the Hawaiian islands and in this Salish island
Grant us knowledge
Grant us strength
Grant us intelligence
Grant us understanding
Grant us insight
Grant us power
The prayer is lifted, it is free.
LISTEN to the original 'oli.






Monday, April 16, 2018

When I have a terrible need ...

The wind and rain blow through the prairie, leaving us blown through. "Things are generally on track," wrote Satori adding, "On track does not mean pie in the sky or ideal." The second sentence  watercolors the message, muting the definition of things. I consider the journey we live making adjustments to the environment we live in now with the internal environment -- the values and beliefs --we carry. Do those values sustain us over time intact and unaltered, or have we culled most and reinvented ourselves with time?
"When I have a terrible need for -- shall I say the word -- religion,
 then I go and paint the stars." - Vincent Van Goph

Yesterday was a full-stay day on the Prairie Front. The heavy rains keep at it leaving steady streams across the entry at the gate. Once again, gratitude for red rubber boots is my morning prayer, right after giving thanks for being able to walk in them.
We have the company of hens again. A rotating gaggle of friends, Tilth members, come to check on the three girls to see they have food and water, and are rewarded with eggs. Pete and I are the invisible caretakers who open and close the coop door when we walk to the gate in the morning and evening. Unexpected things crop up on the way to the gate and coop detour: sparrows get themselves caught in the cage after a day of foraging on the hens' grain(we need to offer escape hatches); a handful of worms roused from the ground by the deluges add to the daily diet; deep holes at the wire fence require collateral damage control (rocks in place).
Between squalls Pete has been laying down sod to cover Earth where the hundred plus feet of filled-in trench carries a conduit of electricity to our vardo.  The physical and ceremonial work of settling in here on the Prairie Front has tapped our resources. The physical stamina to do the work at sixty eight challenges Pete, a man who has the many skills and experiences as a wizard spider or octopus. He is a man who can multi-task with a mind for what needs to be done seemingly without thinking. His instrument is not the guitar or his voice. But to see his hands and legs like string beans in action? Orchestral!


I've been absent from the keys while life refuels me with experience. 'Getting better' after the flu the pace of recovery and adapting to our latest transitions takes patience. The trench work and prayers of permission and guidance are part of the long term journey to learn to live as caretakers on/with the  Whidbey Tilth community. It's a first-time experience having people live full-time on this land, and a next chapter in our journey of sharing space. Negotiating the process and the changes that arise reminds me of the story of The Borrowers. 
"Beneath the kitchen floor is the world of the Borrowers -- Pod and Homily Clock and their daughter, Arrietty. In their tiny home, matchboxes double as roomy dressers and postage stamps hang on the walls like paintings. Whatever the Clocks need they simply "borrow" from the "human beans" who live above them. "
Our life is not so much lived 'beneath the kitchen floor" but it is a life lived between the world of settled home ownership and that of the morphing definitions of homelessness. We shared the community kitchen, using it almost exclusively for the past six months. Turning the usually unused space into a place of adapted comfort. We built a spiders' web to shelter from the winter elements, use hot water and burn the electricity for cooking under the large roof of the open-sided Pavilion. Comfortable enough for us. Different by many standards.


Now that the season changes, and the Farmers' Market begins at the end of April, what we installed to warm up the kitchen through the winter, is cleared except for the copper wire web. People will be coming onto the Tilth campus and into the kitchen to prepare for the summer and fall activities. Pete and I will shift our activities with an amended version of cooking and sharing the space.

"We're resourceful," Pete said the other night as we gathered ourselves into the comfort of ninety square feet of vardo space.

"Thing is," I pondered, "how do you know to be resourceful if you don't know what a 'resource' is?"

Late in the afternoon, well before dark, while Pete neared the end of his day of sodding he told me that one of our friends and pea patch gardeners had her green house toppled by the gusts of wind Friday evening (around this time). I was surprised. "Where were we when that happened?" We each tried to account for our time on Friday. We must have been there. How could we not have noticed when we see everything out this front window?

As I considered this event: a toppled greenhouse in the pea patches, I was also tending a pot of chicken simmering in cumin seasoned tomato sauce with lots of diced yellow peppers, sliced mushrooms, diced garlic, onions and plenty of Italian seasoning. The pavilion sheltered me as I lifted the glass-topped lid to check dinner. Smelled wonderful. Looking out toward the pea patches I could see our friend working in her garden. The green house upright from my perspective.

Resourceful in community?

I found a small bowl and poured a mound of roasted and lightly sea salted cashews into the bowl. At the last minute I sliced up the remaining English cucumber and laid the lively crisp veg along side the cashews.

"Hi!" I called out as I neared the gardens.

Our friend was outside the fenced garden patches. I handed her the bowl.

"Is that for me?"

"Well it's the least we could do. Where were we? Pete told me about your greenhouse." The greenhouse was at this point upright and tethered.

"You must have been holed up!" She offered.

While she nibbled at the snack we talked of things. We talked about what mattered, what matters to each of us. The rain held off, and the winds were calmed for a time. We talked. We spoke of what it is like to garden on this land (soil is bad, filled with rocks), this prairie front. I spoke of what it's like to live here. We exchanged sensibilities for what is, this environment. I had an opportunity to extend small and considerate comfort. Cashews and cucumbers, a taste I would enjoy, I shared with someone I would like to know a little better. Conversation between squalls.

On Saturday this weekend we climbed into our Subaru and headed south. Our destination? The Puyallup Reservation. We headed for 'Aha Mele, a gathering of many Hawaiians (and Pacific Islanders) sharing Hawaiian music and dance, Hawaiian food, and the things that I miss more than words can say.









For two hours, I left America to be in the company of people who could give me language without words with the lift of an eyebrow and a subtle recognition with the head. "Where you from?" the greeter at the door asked me as Pete and I waited to get our wrist bands in place. "Kuliouou," I said. "Oh ... yeh," the familiar banter back and forth as if we were still on the home islands as easy as that. As easy as planning to drive in down pouring squalls without fear, and instead the call of soul to be where the resources could be filled.

We ate haupia and butter mochi, mingled for one hundred and twenty minutes in the gymnasium of the Chief Leschi Schools, seated on wooden bleachers, and engaged in aloha without boarding an airplane. This was a first time event for me, to be with hundreds of people at an indoors venue. The risk of exposures was outweighed by the need to be with my people.

While we had our Saturday field trip, the community kitchen on the Prairie Front was being used by others doing Tilth things. "We're cleared out most of the kitchen," I emailed, "and prepared it for you to use." I asked our friends to leave the door open to air out the kitchen from propane use so I could use the room later that evening.

Sharing space and being resourceful go together in the best of examples. Borrowing values, reinventing them if needed, the potential for watercolor as a working medium of reciprocity is doable. Paint the stars!

xo Moki and Pete




Sunday, April 1, 2018

Sweet Tea and Brown-butter Mochi

This is a story written to inspire new life, Spring, creativity and re-birth. It's a fun one to read aloud with or without company. 
Oh, the most important part of this story is it began as a story written for Jade. We are the Auntie and Uncle of Jade who live so, so far away from her it makes our toes wrinkle wishing we were closer. Try as we might, we can't be much closer than we are right now (which is not very close at all). Writing this story helps us feel like we are closer. Story has that sort of magic. Always remember that, Jade. Story has that sort of magic to make people seem closer than they are. 
And since gifts are meant to be shared, we'll do that now, thanks to the Internet Gods and Goddesses, sending it to Jade and also sharing it with all who care to read it, too.




Sweet Tea and Brown-butter Mochi
By Yvonne Mokihana Calizar


"A dynasty of cats lived next door." Nanny's voice was fishing for some interest from the girl who was busy playing.

"I don't know what a dynasty means?" The girl kept tossing the boat-shaped bubbles to her imaginary friend.





"An essay is a raven." This was a bit of silliness Nanny hoped would loosen some of the girl's curiosity.

The short sentence did catch the girl's attention. She had heard about essays. "Isn't an essay a small story?" She stopped tossing the bubbles.

"You'd better write them stories down before they're forgotten." The bird's voice softened. "Or have them stolen by a black bird attracted by the glitter."

As it usually did, the Give-and-Go Game had captured the girl's attention just long enough to entice her onto the back of the purple and pink feathered, one-footed bird she called "Nanny." 

"Who would miss them if I don't write them down?" The girl wondered considering the words she could write, and when she got way beyond a hundred and ninety eight she kept going. The words drew themselves into clouds with no periods in sight. Clouds didn't need periods.

"You might never know, but that's not the point of it." Nanny bent her one scrawny, but very strong, banana-skin colored leg to allow the girl onto her back. Though the bird looked puny she was in fact among the most muscular of her kind and it was the plumage that deceived. It was a most clever disguise -- to appear one way while being another. Once the girl settled into the natural saddle of muscle between her wings Nanny continued.

"The point is Story does not call to everyone. You are one of the lucky ones. You have ears that listen. No, I take that back. You have ears that hear but can they listen?"

The girl was not selfish about possessing things or even an idea. She was taught to know gifts are meant to keep giving. An idea, could easily be a gift. So to have an idea taken back wasn't bad. Nanny had succeeded, again, to make the girl think ... and that was the best of gifts. Nanny knew this girl would grow best on ideas that made her think. 

"Why did you take that back? There's no difference between ears that hear and ears that listen." 

The girl was making a statement. You could always tell the difference between her questions and a statement. There was no wiggle room in the conversation when someone made a statement. But, a clever sorceress, like Nanny, knew how to wrangle another ending out a statement. And that is where this story is heading. 

"Are you settled well into the muscled saddle?" The question is as much for you, dear reader, as the girl. Our destination has something to do with the difference between ears that hear and ears that listen. 

"You might enjoy the journey with your eyes closed," Nanny said just before she pushed off with her strong banana-colored leg and flapped her brilliant purple and pink wings.

"Will that help me listen?" teased the girl with a bit of sass to her laugh.

"It might help, but more than that it will keep your eyes from being bothered by the waves of fairy moths that are heading this way in such a hurry. Oh, and keep your mouth closed as well. Whoops, too late." 

A mouthful of fairy moths is a bother, tasting a lot like peppermint chalk, but they will not harm you much. Unless of course you swallow. Better to spit them out as soon as possible and then ask for a cool drink of sweet tea and Brown- butter mochi, if they are available.

Fortunately, Nanny knew just where to go to find sweet tea and Brown-butter mochi. It wasn't far and she was always welcome to drop by with or without passengers on her back. 

The wind was cooperative, and since we are making up this adventure as we go, Nanny tipped her purple and pink plumage into a graceful dive. From her saddle seat the girl spied a small golden wagon. Its roof was curved, not pointed like most roofs. She said as much to Nanny, "That wagon has a roof shaped like the sky, except it's not sky-colored." The girl was right. The curved roof was pale brown, like the color of tea mixed with a lot of coconut milk. 

Four chairs were laid out in front of two of the wagon's windows trimmed in red. A table and a tall silver tea pot was set for company. 




A tall man with legs as long as string beans was waving as Nanny pulled out her wings to be the most delightful parachute, and landed "Ker-plunk". 




"Fairy moth emergency?" Laughed the tall man with legs as long as string beans and wild silvery-yellow hair. His face was covered with lines made deep from all the laughing he had done, and his large hands reached across the way to welcome the girl.

"I do like a gentleman," the girl said, repeating a comment she had heard. It was the first chance she'd had to try it out. The tall man with laugh lines on his lean face was lit with joy at the hearing of the compliment. He seemed to stand taller, if that was possible, and his smile? Well that was a smile as big as a poi bowl, and to see it made the girl's face lift into a poi bowl as well.

By the time the girl felt her feet on the ground beneath her, a small brown woman as round as a pumpkin was pouring sweet tea into big china cups. "Just made a fresh batch of Brown-butter mochi to help with any left over fairy moth chalk. Do come. Do sit. Do sit for tea and company."


Thanks, NY Times Cooking
The sweet tea was hot but not too hot. A couple gentle blows across the pink sea of Red Hibiscus tea with Blackberry honey made the drink perfect for drinking. The Brown-butter Mochi shaped in small muffin tins were a little sticky but oh of course mochi should be a little sticky! 

"All the better to catch any of the fairy moth dust that sometimes gets trapped here and there," said the round brown woman the shape of a pumpkin. She was a bit serious looking, but it was the words she said that made the girl really listen. 



She meant business, a good and caring sort of business with her serious eyes that glowed with something. "Very much like love," suggested Nanny. The girl nodded in agreement between sips of sweet Red Hibiscus tea as fairy moth dust tickled on its way down and through her belly. 

The tall man and Nanny sat just long enough to drink one cup of tea and eat three Brown-butter mochi a piece. Then Nanny pointed with her purple and pink wing tip and asked, "Why is there a long trench in the Earth leading to your wagon?"

"A whole lot of settling in, is what that trench is doing." He said and the girl noticed there wasn't much laughter in his voice. She listened more closely.

"Afraid of settling in are you?" Nanny was gentle with the question. The golden wagon was a home with wheels so it could move when it came time. Nanny knew all about moving, being a bird who was made to fly away when it came time. 

Instead of words, the tall man with legs as long as beans shrugged his narrow shoulders and kicked at the mounds of dirt. The girl felt sorry for the man but wasn't sure why. She knew grown-ups could be confused and afraid but wasn't sure what to do about that. She was still learning about things like that. And, she wasn't sure what it meant to be 'afraid of settling in'.

"Sometimes grown-ups get ourselves into a story we just don't know how it's gonna end. And then? And then, we forget the Story has an idea for an ending if only we'd just listen. Patience helps too. Know what I mean dearie?" The brown round woman was dunking a piece of Brown-butter mochi into the last of her sweet tea as she said what she said. 

The girl wasn't quite sure what that meant, but she kept that question to herself. 

When she had drained the last of her tea the brown round woman  smiled and said, "This tea party is helping Those-who-watch know we mean no harm to this place." The girl looked more closely at the long trench with its mounds of Earth piled along one side. 

The brown round woman continued, "It's a little like making Brown-butter mochi. A whole lot of somethings have to get heated, beaten and dropped to make something as delicious as those butterscotch sweets."

Women of magic remember to do things to balance one thing with another. The balance was to make sure Earth knew these people would take only what was needed, leave gifts and set things into the flow once again. The first and most important rule of magic: do no harm. 


"We cross borders without regard, ignorant or arrogant of the protocol native to the transitional spaces that take us from this place to that place. Traditions remembered and practiced would maintain and pass along the right things to do, at the right time, and in the right frame of mind. Have we all become wanderers with passports un-stamped with the memory of teachings from the Ancestors and Nature? There are rituals to remember and common magic to induce respect for the beings and places that share this planet." - The Safety Pin Cafe

This tea party was more than the girl could have imagined when she woke up this morning. Her toes were beginning to wrinkle thinking about growing up. Story was a big deal. She wondered whether she was ready for such things. And could she ever write all this down?

"It really doesn't need to be sorted out here and now," Nanny pulled the girl in snug, as she could feel the girl's confusion. "These are thoughts best chewed on over many cups of sweet tea and nibbles of mochi. Easy will do it, leave space in between thinking, play a lot and make room for the company of strangers."

It was time to continue with their journey. The girl could feel a nap coming on. The long trench needed full moon ceremonies to balance things up, and it would do Nanny good to work off some of those Brown-butter mochi by flapping her purple and pink wings. 

"Thank you so much for the tea and company," said the girl gratefully. "This was a very special day." It really was. A birthday ought to be one of the most special days in the whole year of days, and that is what this day was. Wonder-filled.

Happy  Spring, Happy April 1st (no fooling!) and Happy Birthday, Jade.





The End.

Love,
Moki

P.S. If any one tries making the recipe for Brown-butter Mochi please let us hear how it turns out. Until I get a bigger oven, or find small muffin tins I will have to imagine how ono these are (Fortunately, I'm good at imagining).